Hyper War art

• Esse nosse posse Common Wealth for Common People
• RESIST online
• Tag ties and affective spies
• GRIOTS
• Web 2 Wants You
• Folded-in
• Play Culture
• Curatorial Translation
• Modding, Reversing and Intervening in Today's Gaming Worlds
• The making of Balkan wars:The documentary
• Secondary Transludic Borders
• Diaphanous TV
• The making of Balkan wars:The game
• Glimpses
• Prosenghisi
• VideoShow

Warpath

• Media arts et réseaux sociaux
• Who dares to de-sacralise today’s play?
• Notes on Folded in project
• Who dares to support today’s independent game scene
• De Krypten avatar
• Commodified play
• Jeux vidéo : la guerre à portée de tous
• Autonomia, Operaismo, and Class Composition
• Alter Gaming
• Democratisation of virtual environments
• Fragmentations globales
• Homo Ludens Balkan
• New media and the periphery
• Les Balkans
• Transending the aesthetic experience
• On collaborative action
• A virtual space of dialogue
• On the presentation at medialab
• On the presentation at Art Athina
• No Quarter
• War videogames
• Forces in play
• On the presentation at EMAF
• Radical social criticism
• The question of balance
• The art act or seven minutes to six

Join forces

• Election 08
• Folded-in Blog
• Personal Cinema @ YouTube
• A/SA/SYN
• Withdrawal Wizard
• Art context
• Art Is Not Terrorism
• Anti-War Directory
• Napon.org
• Hackitectura
• Welcome to all the pleasures
• The Erasers
• The future of the book
• La Fiambrera Obrera
• Ian Bogost & Gonzalo Frasca
• Select Parks
• Eastwood Real Time Strategy Group
• Danny Ledonne
• Molleindustria
• Future Farmers
• Oil God
• Global Conflicts-Palestine
• drog_a_tek
• Dead in Iraq
• Surge Cycle

Contact

• mail to